No. 5 (2020): VARIA

Editorial

Editorial note

Teresa Norton Dias

6
- PDF (Português)

Articles

Traces of memory in "Nostalgia of the Light"

Ana Costa Ribeiro

7-14
- PDF (Português)
The stellar and spectral poetics of "The Pearl Button"

Júlia Vilhena Rodrigues

15-21
- PDF (Português)
Territories of poetry in the Sertão of Cinema: contributions of the direction of photography

Ronald Jesus, Susana Dobal

22-37
- PDF (Português)
The intellectual and the people: media, press and territory of Trás-os-Montes after the Revolution

Caterina Cucinotta

38-48
- PDF (Português)
Cinematic "soft power" and colonialism in "Lagaan", "Princess Mononoke" and "Avatar"

Cristiano André Hoppe Navarro, Hélio José Hélio José

49-64
- PDF (Português)
Atmosferas Luminosas. A luz como matéria-prima nas práticas artísticas do século XXI

Dolores Furió Vita

65-73
- PDF (Español)
On the territory of mystery in film and painting

Pau Pascual Galbis

74-95
- PDF (Español)
Neorrealismo de lo periférico: el territorio marginal de Roma desde la mirada nativa de Rossellini

Jesús Ramé

96-107
- PDF (Español)
And... if Bazin and Lefebvre met Freud in a cinema session? Notes for a case study of albinism on the big screen

Ney Alves de Arruda, Renata Costa

108-121
- PDF (Português)
"Festival de Cans": Rethinking the Film Festival through Parody in Rural Galicia

Rosana Vivar Navas, Luís Román Suárez-Canedo

122-138
- PDF
The film "Hoje eu quero voltar sozinho" and the artistic challenge in the presence of plurality and homosexual sensibility in the use of post-modernity provocations

Francisco Acioly de Lucena Neto, Natália Luiza Carneiro Lopes Acioly

139-145
- PDF (Português)
Space and cultural identities in "CARGO"

José Ailson Lemos de Souza

146-155
- PDF (Português)
The "Shipwreck of the Raft": an unedited ethnographic film

Luciana de Castro Nunes Novaes

156-166
- PDF (Português)
"Bacurau": a metaphor of racialised Brazilian territories

Lucivânia Nascimento dos Santos-Fuser

167-181
- PDF (Português)
"Black sun": identities and conflict in the globalised city

Pedro Miguel Jorge Réquio

182-190
- PDF (Português)

Reviews

"The Well" by Galder Gaztelu-Urrutia: the dystopia of a contemporary panopticon

Jaqueline Castilho Machuca

191-194
- pdf (Português)

Other

Sculpture in Pedro Costa's cinema

João Gonçalves

196-210
- PDF (Português)
Contributions to the body-mediation dialectics from the legacy of Pina Bausch

Teresa Norton Dias

211-218
- PDF (Português)
"To my children"

Celeste Cantante, Romy Castro, Balbina Gonçalves, Jaqueline Castilho Machuca, Cristiane Pimentel Neder, Teresa Norton Dias

220-230
- PDF (Português)

Full Issue

Editorial

Editorial note

Articles

Traces of memory in "Nostalgia of the Light"

The stellar and spectral poetics of "The Pearl Button"

Territories of poetry in the Sertão of Cinema: contributions of the direction of photography

The intellectual and the people: media, press and territory of Trás-os-Montes after the Revolution

Cinematic "soft power" and colonialism in "Lagaan", "Princess Mononoke" and "Avatar"

Atmosferas Luminosas. A luz como matéria-prima nas práticas artísticas do século XXI

On the territory of mystery in film and painting

Neorrealismo de lo periférico: el territorio marginal de Roma desde la mirada nativa de Rossellini

And... if Bazin and Lefebvre met Freud in a cinema session? Notes for a case study of albinism on the big screen

"Festival de Cans": Rethinking the Film Festival through Parody in Rural Galicia

The film "Hoje eu quero voltar sozinho" and the artistic challenge in the presence of plurality and homosexual sensibility in the use of post-modernity provocations

Space and cultural identities in "CARGO"

The "Shipwreck of the Raft": an unedited ethnographic film

"Bacurau": a metaphor of racialised Brazilian territories

"Black sun": identities and conflict in the globalised city

Reviews

"The Well" by Galder Gaztelu-Urrutia: the dystopia of a contemporary panopticon

Other

Sculpture in Pedro Costa's cinema

Contributions to the body-mediation dialectics from the legacy of Pina Bausch

"To my children"

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