Vol. 1 No. 9 (2024): Cinema (no) Feminino

Editorial

Editorial | C&T Management

António Baía Reis, Guida Mendes, Inês Rebanda Coelho, Teresa Norton Dias

07
- PDF (Português)

Foreword

Preface | C&T Management

António Baía Reis, Guida Mendes, Inês Rebanda Coelho, Teresa Norton Dias

08-09
- PDF (Português)

Articles

The relationship between memory and place in women's cinema

Romy Castro

11-19
- PDF (Português)
Women and the masculine universes of cinema: from director Shepitko to Nadezhda's protagonism

Mónica Baptista

20-36
- PDF (Português)
Observation and thought: montages by women in contemporary Brazilian documentaries

Daniel Leão

37-49
- PDF (Português)
« Aqui não é o céu do Bié » the allegorical representation of the Angolan liberation struggle and civil war in the film “Na Cidade Vazia” by Maria João Ganga

Sofia Afonso Lopes, Ana Paula Tavares

50-59
- PDF (Português)
The Commitment of Women Through the Production of a Creative Documentary about Indochina

Natacha Cyrulnik

60-75
- PDF
Sound for Cinema in the Feminine: The Lack of Professional Recognition

Inês Rebanda Coelho

76-92
- PDF (Português)
The ivory damsel is bored: changing female dynamics for the Ovidian Galatea in Michelangelo Antonioni’s "Identificazione di una Donna" (1982)

Sílvia Catarina Pereira Diogo

93-109
- PDF
The outsourcing of motherhood based on the cinematic representation of the domestic worker: Views and constructive paths in ‘What Time Does She Come Back?’

Adriano Medeiros da Rocha, Uriel Filipe Marques Silva

110-123
- PDF (Português)
Joana, a Romantic Woman-as-Witch Heroine in the film "O Crime de Aldeia Velha" (1964) by Bernardo Santareno, Manuel de Guimarães and José Carlos Andrade

Inês Tadeu

124-141
- PDF
Girl, what do you want to become when you grow up? Audio-visual creation at school

Fernando Miranda, Graciela Acerbi

142-158
- PDF (Español)
Video art - gender identity and territory in the practice of Digital Citizenship

Sílvia Venturinha Jermias, Ana Isabel Soares, Isabel Cristina Carvalho

159-176
- PDF (Português)

Reviews

"TÁR" (2022) by Todd Field. The Berlin Conductor

Teresa Norton Dias

178-181
- PDF (Português)

Interviews

In conversation with artist Filipa Venâncio: how the imagination builds painting...

Guida Mendes, Teresa Norton Dias

183-188
- PDF (Português)
In conversation with Melanie Pereira: Cinema for Women ‘For a cinema of respect’

Inês Rebanda Coelho

189-197
- PDF (Português)

Vol. 1 No. 9 (2024): Cinema (no) Feminino

Full Issue

Editorial

Editorial | C&T Management

Foreword

Preface | C&T Management

Articles

The relationship between memory and place in women's cinema

Women and the masculine universes of cinema: from director Shepitko to Nadezhda's protagonism

Observation and thought: montages by women in contemporary Brazilian documentaries

« Aqui não é o céu do Bié » the allegorical representation of the Angolan liberation struggle and civil war in the film “Na Cidade Vazia” by Maria João Ganga

The Commitment of Women Through the Production of a Creative Documentary about Indochina

Sound for Cinema in the Feminine: The Lack of Professional Recognition

The ivory damsel is bored: changing female dynamics for the Ovidian Galatea in Michelangelo Antonioni’s "Identificazione di una Donna" (1982)

The outsourcing of motherhood based on the cinematic representation of the domestic worker: Views and constructive paths in ‘What Time Does She Come Back?’

Joana, a Romantic Woman-as-Witch Heroine in the film "O Crime de Aldeia Velha" (1964) by Bernardo Santareno, Manuel de Guimarães and José Carlos Andrade

Girl, what do you want to become when you grow up? Audio-visual creation at school

Video art - gender identity and territory in the practice of Digital Citizenship

Reviews

"TÁR" (2022) by Todd Field. The Berlin Conductor

Interviews

In conversation with artist Filipa Venâncio: how the imagination builds painting...

In conversation with Melanie Pereira: Cinema for Women ‘For a cinema of respect’

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