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No. 1 (2016): VARIA
No. 1 (2016): VARIA
Published:
2016-06-16
Full Issue
PDF (Português)
Articles
From the photographic intention to the image, mirror of the sciences
Christine Escallier
1-13
PDF (Français)
Journey, border and heterotopia: spatial formulations for two encounters between ethnography and cinema
Filomena Silvano
14-24
PDF (Português)
From photography to film. For an anthropology through images
Sylvaine Conord, Christine Dole-Louveau de la Guigneraye
25-33
PDF (Français)
Portuguese cinema during the First World War
Ana Paula Almeida
34-40
PDF (Português)
Cinema from Weimar to the Third Reich: Power and "Nationalcharakter"
Gerald Bär
41-57
PDF (Português)
The community faced with powers: resistance and social reflexivity
José da Silva Ribeiro
58-78
PDF (Português)
Rituals and Territory. Remarks based on the filmic observation of "Evolution of a Burgundian ritual: the shooting of Saint Vincent in Chichery-la-Ville in Northern Burgundy".
Pascal Dibie
79-82
PDF (Français)
Real and imaginary journeys on film and audiovisual tracks
Alexandra Lima Gonçalves Pinto
83-95
PDF (Português)
The Earth as Event. Painting interpelated by Cinema around the film "The Earth as Happening"
Romy Castro
96-105
PDF (Português)
"The Girl Chewing Gum" by John Smith: document and fiction
Carlos Valente
106-115
PDF (Português)
Hiding place: the space that gives body to the filmic images
Hugo Olim
116-127
PDF (Português)
"Grotesque happiness". Otherness and myth in the video clip of the nineties
Pau Pascual Galbis
134-140
PDF (Español)
"Lisbon Story": a film within a film with a city as its theme
Teresa Norton-Dias
128-133
PDF (Português)
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