"TÁR" (2022) by Todd Field. The Berlin Conductor
DOI:
https://doi.org/10.34640/ct9uma2024nortondiasKeywords:
TÁR, female empowerment, gender identity, LGBTQI rightsAbstract
TÁR (2022) portrays a phase in the life of a conductor, Lydia Tár, of the Berlin Symphony Orchestra, in her attitude towards the art she masters, as an author; in her profession, as a conductor; in her personal life, as a woman and in her relationship with others. With Lydia Tár imposing herself on a vertical, essentially male structure, those who watch the film are presented by the scriptwriter and director, Todd Field, with a series of aspects that go beyond those of her profession as the leader of an orchestra, where the leadership is also predominantly male. In this critical analysis we will try, with the help of authors such as Judith Butler, to establish a parallel between the reality of this fiction and the reality that the 21st century offers us.
References
Butler, J. (2017) [1990]. Problemas de Género. Orfeu Negro.
Butler, J. (2023) [2011]. Contestar e fazer-se ouvir: o feminismo crítico de Joan Scott. Edições Afrontamento; Instituto de Literatura Comparada Margarida Losa.
Field, T. (Realizador). (2022). TÁR [Filme]. Standard Film Company; EMJAG Productions.
Segato, R. (2003). Las Estructuras Elementares de La Violencia. Ensayos sobre género entre la antropología, el psicoanálisis y los derechos humanos. Universidade Nacional de Quilmes Editorial.
Bibliografia tomada como referência
Aumont, J. & Marie, M. (2004). A Análise do Filme (3ª ed.). Edições Texto & Grafia.
Rancière, J. (2010). O Espectador Emancipado. Orfeu Negro.
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