Son de film féminin : le manque de reconnaissance professionnelle
DOI :
https://doi.org/10.34640/ct9uma2024rebandacoelhoMots-clés :
conception sonore, prix, femmes, reconnaissance, cinémaRésumé
Le département du son continue d'être l'un des plus sous-estimés et sous-évalués de l'industrie cinématographique. Compte tenu de son importance et de la dimension qu'il apporte à chaque film, nous avons décidé de mener une étude sur la reconnaissance des professionnels dans ce domaine. Cette recherche a analysé les films primés sur une période de 20 ans (2002-2022) dans les catégories liées à la meilleure conception sonore, à la fois lors de festivals du film importants (par exemple le Festival de Cannes) et lors de cérémonies de remise de prix tout aussi prestigieuses (Academy of Motion Picture Arts and Sciences (Oscars), European Film Awards). À la fin de notre collecte de données, nous avons réalisé une chose particulièrement significative : en 20 ans, lors de douze festivals et de deux cérémonies de remise de prix cinématographiques, il n'y a eu que 116 lauréats dans le domaine du son et seulement sept d'entre eux sont des femmes. C'est pourquoi nous avons décidé de mener une étude complémentaire sur la présence des femmes dans la création sonore pour le cinéma, afin de mieux comprendre la raison de cette grande disparité dans leur appréciation et leur reconnaissance. Notre objectif est donc de [...].
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