Vol. 2 No. 11 (2026): AUTHORSHIP VS ALGORITHMS | Cinematic Authorship

View Vol. 2 No. 11 (2026): AUTHORSHIP VS ALGORITHMS | Cinematic Authorship

Published: 2026-08-12

Full Issue

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Editorial

Editorial

António Baía Reis, Guida Mendes, Inês Rebanda Coelho, Teresa Norton Dias

06-09
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Foreword

On the complexity of the topic and ways of coming to terms with it

António Baía Reis, Guida Mendes, Inês Rebanda Coelho, Teresa Norton Dias

11-14
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Articles

Excerpts from a lecture by Silvio Tendler: archives, authorship and the reconstruction of history in Brazilian documentary film

Fabricio Fernandes

16-20
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Artificial bodies and sexual dissidence: posthumanism and post-pornography in 'Barbie Can Be Sad Too' (2001) by Albertina Carri

Karina Perdomo Rodríguez

21-43
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Representations of LGBTQIAP+ Aging in Brazilian Cinema

Fabricio Fernandes

44-56
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Emotional regulation and marital power dynamics: a psychoanalytic and psychosocial analysis of 'Águas Profundas' (2022)

Leandro de Sousa Almeida

57-70
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Film analysis as a methodological tool: a new perspective on understanding the right to the city

Renan Ramos, Fernando Vazquez Ramos

71-80
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Reviews

A camera in the path of the ethnic-territorial cleansing machine: ‘No Other Land’ (2024)

Luis Fernando Novoa Garzon

82-88
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The commonplace myth of the capitalist individual. An analysis of Sean Baker’s film “Anora” (2024)

Dmitry Olshansky

89-94
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