Trauma, Noh theatre, post-nuclear war and demons in Kaneto Shindo's film Onibaba (1964)
DOI:
https://doi.org/10.34640/universidademadeira2017pascualgalbisKeywords:
Noh theatre, Japan, fantastic mythology, cinema, nuclear postwar, Kaneto ShindoAbstract
Kaneto Shindo's dark and expressionist feature film Onibaba (1964) is presented as a model of a generation of Japanese artists who shared all the suffering,
misery, fear and desolation of the Second World War. In addition to this film includes aspects of the Noh Theater and the fantastic mythology of his country, as is the oni demon- in different contexts.
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Webgrafía
Guest, H. (2012). Masterworks by Kaneto Shindo en Harvard Film Archive is a division of Fine Arts Library of the Harvard College Library. (Última visita abril del 2017)
Disponível em http://hcl.harvard.edu/hfa/films/2011aprjun/shindo.html
Filmografia
Onibaba, Kaneta Shindo, dir. (Kindai Eiga Kyokai, 1964) [filme]
Kuroneko, Kaneta Shindo, dir. (Kindai Eiga Kyokai, 1968) [filme]
Heso to genbaku, Eikoh Hosoe, dir. (Jazzu Eiga Jikken-shitsu, 1960) [filme]
Yume, Akira Kurosawa, dir. (Warner Brothers, 1990) [filme]
Dodes’ka-den, Akira Kurosawa, dir. (Toho, 1970) [filme]
Tomato Kechappu Kōtei , dir. Shuji Terayama (Art Theatre Guild - ATG, 1971) [filme]
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Copyright (c) 2017 Pau Pascual Galbis
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