Poetry (sacred territory) and Cinema (devoted acolyte)

Authors

  • Maria João Seixas

DOI:

https://doi.org/10.34640/universidademadeira2018seixas

Keywords:

cinema, poetry, The Color of Pomegranate, Serguei Paradjanov, Sayat-Nova

Abstract

Between Poetry, as “sacred territory” and Cinema, its “devout acolyte” it was intended to bring to the discussion its difficult and improbable relation. It was from The Color of Pomegranate (1968) by Serguei Paradjanov, that Maria João Seixas set out to contribute for a reflection between Cinema and the literary territory, Poetry.

References

Bandeira, M. (1930). Libertinagem. Rio de Janeiro: Paulo Pongetti & Co.

Baudelaine, C. [1864] (1975). Enivrez-vous. Le spleen de Paris XXXIII. Œuvres complètes, Bibliothèque de la Pléiade. Paris, Éd. Claude Pichois Nouvelle édition. NRF

Paradjanov, S, Andranikyan, S., Armenfilm Studio (Produtores) & Parajanov, Sergei (Realizador). (1970). A côr da Romã [Sayat Nova]. [DVD]. Portugal: Midas Filmes.

Steinmetz, J.-L. (ed.). (2003). Les Spleen de Paris. Petits poèmes en prose. Paris: Livre de Poche.

Capa N.º3|2018 C&T

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Published

2018-11-30

How to Cite

Seixas, M. J. (2018). Poetry (sacred territory) and Cinema (devoted acolyte). Cinema &Amp; Território, 1(3), 102–106. https://doi.org/10.34640/universidademadeira2018seixas

Issue

No. 3 (2018): CINEMA e IDENTIDADE

Section

Other

License

Copyright (c) 2018 Maria João Seixas

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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

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